The fly
introduction
In his humorous short film The Fly by Olly Williams . The tale of a getaway driver for a bank heist who, driven mad by a fly, ends up ruining everything. We are able to relate to and empathise with his frustration and anger thanks to the careful use of the microelements. The primary impact, though, is comedic as the criminal with the simplest job of all manages to ruin everything.
editing and cinematography
Editing and cinematography are both used very well to create tension . The eyeline is significant because it keeps us in Doolan's space, making it possible for us to relate with and feel sympathy for him. In addition, his eyeline is crucial for tracking the fly as it moves through space. The story's plot would be severely lacking if the conflict between Doolan and this fly wasnt so obvious.
mise en scene
The Fly uses mise en scene to heighten Doolan's rage and frustration. Doolan's exaggerated reactions stand in stark contrast to the claustrophobic atmosphere created by the car's limited space. The calm, deserted streets outside enhance the chaos inside the vehicle. If the beginning's cockney accent did not confirm the setting, the mise en scene also aids in furthering our understanding of it. We are placed in an industrial area of the United Kingdom by the bright red post box, a basic British feature. The outdated BMW model and the leather jacket imply that it might be set in the 1980s or 1990s, and the scant technology indicates that it is most likely pre-millennial.
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